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History News of the Week – Ancient Egyptian Prosthesis Studied

New insights into remarkable Ancient Egyptian prosthesis Egyptologists from the University of Basel have been examining a 3,000-year-old prosthetic big toe from Ancient Egypt. Discovered in a female burial from the necropolis of Sheikh Abd el-Qurna close to Luxor, the prosthesis had been studied before, but the Swiss team have now examined it using the most cutting-edge techniques, such as modern microscopy, X-ray technology and computer tomography. It’s been revealed that the remarkable artefact was refitted several times to its owner, a priest’s daughter. The researchers have also reclassified the materials used in the wooden toe’s construction, and determined how the prosthesis was made and utilised. The new analysis has revealed the skill involved in the toe’s construction, particularly in the mobility the prosthesis would have offered, and the intricately designed belt strap which would have fastened it to its wearer. Together with experts from ETH Zurich, the scientists from Basel are assessing the natural and man-made structures of the tomb and its surroundings. According to a statement from the University: “The specialists are currently developing geometric precise digital elevation, landscape, and architecture models for this area. These will then be combined to an archaeological and geological 3-D map that will illustrate the morphology of the terrain as well as the investigated subterranean structures. On that basis, the researchers want to reconstruct and simulate the development of the cemetery and its use phases.” Water Bottles used by Native Americans could have been poisonous A new study suggests that the water bottles manufactured by Native Californian Americans could have been detrimental to their health. Scientists recreated the Native American water bottles to gain insights into the manufacturing process. In particular, they wanted to see if bitumen, a material derived from petroleum, could have had an impact on the indigenous Californians’ health. The team made two types of ancient water bottle using traditional Native American methods. One of the bottles was lined with soft bitumen, known as ‘malak’, which washes ashore after seeping through the ocean floor, and one was lined with hard bitumen, known as ‘woqo’, typically found in land deposits. “In accordance with historical records, we used a Monterey chert flake and a bird bone awl to weave baskets from soft rush plants from California. We sourced abalone shells to use as mixing dish and heated the bitumen with metavolcanic pebbles before applying to the basket by hand using a sea mammal bone,” said Kevin Smith, co-author of the study and a PhD student from the University of California. Bitumen consists of polycyclic aromatic hydrocarbons (PAHs), which are linked with health problems such as cancer, hormone imbalances, organ damage and developmental impairments. After studying the recreated bottles, the scientists behind the study found that although storing water in the bitumen lined bottles didn’t cause dangerous levels of PAHs to leech out – even after two months, olive oil quickly became contaminated, suggesting the storage of fatty foods could have been a health risk. Dr Sabrina Sholts, lead author of the study from the Smithsonian Institution’s National Museum of Natural History, said: “To our knowledge, this is the first time that experimental archaeology has been used to quantify PAH exposure in an ancient population. We believe that our research provides a deeper temporal context for understanding health impacts and evolutionary changes related to harmful chemical exposure caused by human technology.” The study has been published in the journal Environmental Health. Nazi artefacts found in Argentina could be fake On 20th June, the New York Post reported a “a trove of original Nazi artefacts” had been discovered in Argentina. Among the objects were an original bas relief of Hitler and a medical device used for measuring heads. The collection of 75 objects was found hidden in an art collector’s home, just outside the capital city of Buenos Aires. According to the Associated Press, the objects are believed to have belonged to high-ranking Nazis in Germany. “Our first investigations indicate that these are original pieces,” Argentine Security Minister Patricia Bullrich told the Associated Press On 24th June, the Washington Examiner reported that the objects could be fake, citing a leading auctioneer of Nazi artefacts, Bill Panagopulos, president of Maryland-based Alexander Historical Auctions. Panagopulos said the items were ‘obvious replicas’, after seeing video footage and pictures of the artefacts. The art collector whose home the objects were discovered in is still under investigation. Image courtesy of University of Basel, LHTT. Image: Matja� Kačičnik ]]>

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Oldest Maya Codex Proven Authentic

Maya Archaeology, are: “… a confirmation that the manuscript, counter to some claims, is quite real.” said Houston, in a Brown University press release. Coe’s team carried out a rigorous analysis of the codex to reach their conclusion, looking at everything from the manuscript’s style and iconography, to the paper it was produced on. Most crucially, they radio carbon dated it and found it came from the thirteenth century, predating three other well known Mayan codices: the Dresden, Madrid and Paris – named after the cities in which they are now housed. The authors note that because the Dresden, Madrid and Paris codices were discovered first, their features are regarded as canonical. The Grolier is undoubtedly different to those three codices, but the authors argue that in itself isn’t proof it is inauthentic. Most significantly, Coe et al point out that it actually would have been almost impossible for forgers to have created the forgery by 1964. The Grolier Codex depicts in detail gods and deities which archaeologists had yet to discover at that point; while the illustrations and paintings contain perfect Maya blue pigments, pigments that were not successfully synthesised in a laboratory until the 1980s. As the authors write in the study: “A reasoned weighing of evidence leaves only one possible conclusion: four intact Mayan codices survive from the Precolumbian period, and one of them is the Grolier.” For more information: Journal of Maya Archaeology Image courtesy of Justin Kerr ]]>

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Gospel of Jesus’ Wife May Be Authentic, New Tests Suggest

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Egyptian 'Mona Lisa' A Fake

Live Science. Tiradritti’s suspicions were first aroused by the birds depicted on the Meidum Geese. Two of which were unlikely to have inhabited ancient Egypt. “The painting depicts three different couple[s] of geese, three turned to the left and three to the right,” Tiradritti wrote. Two of the geese were identified as white-fronted geese (Anser albifrons), the pair looking to the left were understood to be bean geese (Anser fabalis) and the pair facing the right were red-breasted geese (Branta ruficolis).” Bean geese breed in tundra and taiga climates, wintering as far south as northern Spain, Greece and Turkey. Red-breasted geese also breed in tundra, but rarely make it as far south as Egypt. Whilst this information regarding the species does not in itself prove the Meidum Geese to be a fake – ancient Egyptians could have known about animals which were not native to Egypt – it made Tiradritti analyse the work further. “After that, it was like to see a castle of cards collapsing,” he said. “One of the major problems with the Meidum Geese is the colours. Some of the hues (especially beige and marc) are unique in the Egyptian art. Even the shades of more common colours, like orange and red, are not even comparable with the same colors used in other fragments of painting coming from Atet’s (Nefermaat’s wife, in whose chapel the painting was supposedly discovered), chapel,” Tiradritti said. Two of the geese are leaning over, in order to make the size of all the geese balanced. This is unusual in ancient Egyptian artwork. Size often denoted importance and as such, Egyptian artists tended to deliberately draw animals or people in different sizes. Balancing size in a composition is a common feature of modern art, however. Tiradritti is due to publish his findings in the 5th April edition of Giornale dell’Arte and The Art Newspaper, in Italian and English respectively. His findings will cause the artistic world to think critically about ancient art, especially given the high prices these works can attract. For more information: www.livescience.com Image courtesy of Wikimedia Commons user: MGA73bot2 ]]>